Local Color

Arrival, Not Escape

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My February calendar is empty, void in fact. No travel, meetings, vacations, or plans. A month solely dedicated to a single event — lambing. The next chapter(s) arrive in the barn before spring, when the world outside is wet and still. The dark clings to every corner, and the sun is too slow to return. But inside, the air is warm, heavy, alive.

Distended ewes lay in soft straw and hum. It is a low, almost singing vibration. Groans that rise and fall, the pitch of bodies too full. Joints creak and skin stretches, as everything becomes secondary to the quiet, insistent demand of the life within. The barn is never truly silent. It breathes with them.

I sit on a hay bale, a barn cat for a blanket, and a border collie for a foot warmer, my hands ready. I wait. The magic of birth is a force that never tires.

It is the push. The gush. The sudden, wrenching kick as life enters a wet world. A gasp. A cough. A struggle. Then the eyes open, blinking slits of quiet wonder. Nostrils flare, drawing in the first scents: mother’s wool, hay, my own coat, the barn dog circling close, the cat on the rafters, watching.

The hard days are not the cold ones. Cold can be met with layers, with heat lamps, with hot coffee. The wet ones are the killers — when the wind slips over the hill, a breeze carrying teeth that bite with hypothermia. A newborn lamb, slick and shivering, has only minutes. Not hours. Minutes to dry, to stand.

The strength it takes is unyielding. Four fragile legs rise, wobble, balance — only to begin the great, desperate scavenger hunt, for the nipple, for thick golden colostrum, for life. Most times, instinct prevails. The lamb noses, latches, drinks. The ewe murmurs, nuzzles, claims.

But not always. Some ewes are too surprised by the pain, too selfish, too disengaged to stand and lick their lamb dry. They turn away. Those ewes teach a different, harder lesson. We don’t keep them. In the stark calculus of the barn, they fail to show up, and that is a failure that offers no value.

Sometimes, despite my best efforts, things still go wrong. A breech. A lamb tangled. Then it becomes a game of blind Twister, played by feel alone in the dark. Is that a leg or an ear? Is the hoof pointing up or down? A single lamb or twins?

One rule holds: pull down. Down, toward the ground, the very direction life goes when it is lost. My heart hammers. And sometimes, despite it all, the stall falls silent. It is a quiet I have to accept, another tally mark in a ledger of gains and losses I wish I didn’t have to keep.

But when it works, the stall becomes a sanctuary. Ewes and lambs rest under the clear, sun-like glow of the heat lamps, a promise of warmth that makes my own heart feel lighter. One kicks its legs in sleep, already dreaming of running tomorrow. I know they are ready to go outside when the play begins. Like water droplets flung from a shaking fleece, they jump — up, hop, bounce — testing legs that only hours before could barely support their little bodies. Sleeping atop their mothers, on the warm, soft wool that they just escaped from.

Lambing teaches what no book can. It strips away illusion. I stress the difference between those who turn up and those who show up. I see the risk, the pain, the fragility. I feel the humility of not controlling every outcome, yet I witness the stubborn miracle: life insisting on itself, again and again. The ewe who fights for her lamb. The lamb that shouldn’t survive but does. The quiet moments when the barn falls still, except for the sound of breathing, and I realize this is arrival, never escape.

February in the barn is a reminder that meaning is not found. It is forged. It is made by showing up at 3 a.m., in the wet dark, gloves on, ready to pull or to dry or to simply witness. The lambs do not ask why they are here. They simply are. And in their living, in their fight to stand and drink, they teach me to keep showing up, too.

Janice Bryant is a repurposed Navy program manager, livestock rancher, and voting member of the Pierce County Agriculture Advisory Commission. She lives in Longbranch.


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